Synopsis: 40-year-old Rahul (SRK)
has cared for his grandfather much of his life, so much so that he wishes the
old bugger would just die already. But then dadaji does bite the dust
(“out on 99,” just like his hero Sachin) and Rahul is tasked with taking his
ashes to Rameshwaram — but newly free Rahul would rather go on a holiday to Goa
instead. Unluckily, however, he ends up missing his stop and getting stuck on
the Chennai Express — with don’s daughter Meenamma (Deepika Padukone) as she is
being kidnapped by her father’s big fat goondas.
Before even going in, Chennai Express combined two of my
favorite things: Rohit Shetty and Shahrukh Khan. The combination could not help
but thrill.
Coming out of it, though, I did wonder whether it really
lived up to all it could be.
Runaway cars. That is Rohit Shetty ishtyle. |
Yes, the whole thing is high-budget gorgeous from a purely aesthetic point of view, but I almost felt like the movie was fairly tame for Rohit
Shetty. (But then many people might find that a positive.) Of course there were flipping cars that defied the laws of logic and
physics, witty one-liners (oh, the one-liners!), lots of pure entertainment.
But it isn’t over-the-top, unrelenting grin-and-laugh from start to finish (Bol Bachchan had me in stitches; Singham
never let me stop smiling). The film came with this promise: “This Eid,
come fall in love — Rohit Shetty shtyle.” Maybe I was expecting just a bit
more typical over-the-top shtyle.
But then SRK doesn’t
necessarily lend himself to Rohit Shetty’s beloved Ajay Devgn heroics. Sure, he
beats up plenty of goondas to defend
his right to a girl (more on that in a minute) in front of her father, but he
did that in DDLJ. He doesn’t have a booming voice for dramatic hero lines or an
imposing figure — in fact, he is the one getting imposed upon.
Pure terror describes Rahul's reaction most of the time. |
Tangaballiiiiiiiii is the big man here, not Rahul. |
In a way, SRK spends much
of the movie being a wimp. He’s made to look short (gasp! A hero admitting his
diminutive height!), gets bullied around, hides behind Meenamma and only in the
end turns full-blown hero. And not only that, but Rahul is also the nitwit who
ends up on a smuggling boat to Sri Lanka and then dumped right back in Komban village that he’d fled from.
When we are so often asked to worship unquestioningly at the altar of indestructible
mega-hero Salman Khan (and don’t get me wrong, I worship those thug-smashing
muscles as well as most), a wimpy hero of no small starpower is somewhat
refreshing. (It's worth pointing out that Sallu beat up Nikitin Dheer, who plays Meenamma's intimidating would-be husband Tangaballi, in Ready in a fraction of the time that SRK spends running away from him.)
Derp face. |
SRK has a wonderful
self-deprecating humor when he wants to, it and it was in full force in Chennai
Express. He takes a couple of jabs at his age (it’s great that he’s finally
admitted he’s 40 now that he’s approaching 50), lots of jabs to his romantic
hero aura and also at his humble “common man” style. (They keep making comments
that he is the common man and a halwai when he’s wearing Dolce &
Gabbana and carrying a Rs. 35,000 phone … okay, Rs. 34,259.)
In general, there are two SRK
role types: romantic hero (the DDLJ-K2H2-K3G SRK)
and antihero (the Baazigar-Darr-Don SRK).
But if SRK doesn’t play the quintessential
Rohit Shetty hero, nor does he play the quintessential SRK
hero or antihero. This Rahul, really, is none of the above — he’s the
not-quite-hero.
How long does this animosity last? Remarkably long, actually. |
In fact, the film really holds off the love story until well
into the second half. Ditto for the remarkably short songs (which at times
ended up feeling crammed in). Of course, once that romantic plot that we all
know is coming finally shows up, it is exactly what you expect. Rahul shows
strength of body and character. Meenamma falls in love. Throwing his arms wide
in that typical SRK pose and thoroughly
overacting, Rahul comes to her defense in a grand gesture, love songs et al.
But it IS SRK, y'all. This is inevitable. |
And given the opportunity — and encouragement — to run away,
Rahul just can’t because he’s that honorable. This actual exchange took place
among me and friends seeing it: “You thought SRK
could just run away with a girl?” “I thought we established almost 20 years ago
that he couldn’t do that. Because he just can’t.” “See, he couldn’t even before
he was famous! He certainly can’t just run away with a girl now.”
But in that dramatic scene in which Rahul stands up to
Meenamma’s father and would-be husband Tangaballi, one cannot help but hate
the fact that Rahul gives a long spiel about how daughters have been unable to
celebrate their own independence… then gets into a slugfest for the girl as she
is held hostage by the wrist. After he has thoroughly beaten the other men,
then he is allowed to claim his prize. “Meena will marry Rahul,” her father
declares before there’s any proposal. I know in Bollywood a wedding is a
foregone conclusion for any pair even remotely in love, but appa has
clearly taken nothing Rahul said to heart.
Meenamma is not pleased with your sexism, Rahul! |
Even though that was a burr in my saddle, you really can
look at it (and I ultimately did) as a good excuse for the fight that has been
put off all film long. The fight between Rahul and Tangaballi has been brewing
for nearly two hours at that point. It’s time to just let it out. Get it over
with.
But at the very least, one wonders how Meenamma gets held
just by the wrist by her old father when she’s been busy outrunning enormous goondas and kicking Rahul’s butt (quite
literally!) all movie long. It really was sad to see a female character who has
been given so much agency during the majority of the film be reverted to a
pretty item held hostage for men to fight over.
But it can’t be said that Deepika doesn’t otherwise hold her
own in the film. Because she certainly does. From her usual style in Cocktail to something completely
different in Yeh Jawaani Hai Deewani
to this, Deepika has been on a roll with surprising me lately. And I hope she
keeps doing it.
The one time Rahul gets the drop on Meena. |
She pulls off the South Indian saris and half saris, much
more traditional than the clubbing stuff she frequently appears in,
beautifully. Her comedic timing is perfect.
She doesn’t take any bakwaas. (“Mere
dictionary mein impossible shabd hi nahin hain.” “Acchaa! Kahan se kharidi aisi bakwaas dictionary?”)
In fact, whoever decided that Deepika would be the laugh
generator deserves enormous praise because I would never have predicted it, but it works. The ongoing gag of the two
leads singing mock Hindi film songs to communicate without the Tamil speakers
being suspicious is also pretty brilliant. There are also a number of
well-thought-out puns across languages.
Fun, ji. |
And on the subject of languages and cultures here, I know I
really can’t say much. I can say that it was nice that Rahul was made fun of as
much for not understanding Tamil as Meenamma was for mixing up her languages — and that assuming the Tamil-speakers can't speak Hindi backfires multiple times (with Rahul and Meenamma early on, then with the pair and Tangaballi). I
can say that it was nice that she was smarter than him and being multilingual was
a positive, even if Rahul jokingly called her Miss Subtitle. I can say that
Bollywood jokes on South Indians tend to make me very uncomfortable, but that
with a few exceptions, most of this movie didn’t make me wince. Very little of
it seemed mean spirited or distasteful. Maybe this was SRK’s
way of apologizing for the pain that was Ra.One
(though he still has a lot more apologizing to do for that one…).
It sure as hell was a better movie than Ra.One. And also better than most of the movies I've seen this year.
Sum total, Chennai Express is a fun ride even if it’s not
all it could’ve been. Get on the train, baby.
Deepika is on Chennai Express Movie She pulls off the South Indian saris and half saris.Sum total, Chennai Express is a fun ride
ReplyDeleteI'm glad that you gave Deepika her due. It's nice to have someone surprise in a world of almost unmet expectations. It was a so easy to make that character a caricature.
ReplyDeleteThat spiel about the women's right and the following scenes, I guess, ticked me off the most. Almost as much as no 'chai-chai-garam chai' in the train. :)
If I may add to the nice things you said I would add the cinematography (feast for the eyes) and the music. And I don't even like people singing in the movies unless it's Rockstar/Rock On.
After much thought I have decided that I rather like this movie. And that expectations are bad things.And that Meenalochini is the most beautiful name I've heard in a long time.
Come to think of it, how awesome it would be if Meena actually had been running away to another man (peepeeman?). We could have had a "Jammu Express" or "Howrah Mail" in couple of years (the real Rohit Shetty ishtyle). "Main 42 saal ka ho gaya hoon. ...ek do twist aa jaate hain...pehla aaya tha 40th saal me"
"Almost as much." Oh, I see your priorities. Chaiwallahs rank above women's rights. ;)
DeleteI agree with you on the cinematography, and some of the songs I like, though others not so much.
And wait, wait, wait, did you really say you "rather like this movie"? Are you being sarcastic or do we need to have your head examined?
Also, points for almost correct usage of peepeeman... But a guy she would be running to meet would have to pose a serious threat (and usually be at least a little bit likable) to be a peepeeman. Like in Jab We Met, Kareena's character runs off with Shahid's to meet another guy, but that guy's not really a peepeeman because he never has much of a chance. But I agree Meena running away to meet another guy would have made it more interesting. That's actually what I expected for a while.
P.S., yes, expectations are bad things. Very, very bad things.
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