What
is it about DDLJ that is so captivating? Certainly it’s a great film, but other
great films have come and gone in the 17 years that DDLJ has been running,
cementing the title of longest-running Indian film in history. Other love
stories have come and gone, but DDLJ remains. Other blockbusters have come and
gone, and DDLJ remains.
It’s
true that DDLJ perhaps gave birth to a new generation of Bollywood film — a
film by the next generation of Chopra, with tenets of the classic Yash Chopra
style — but so, in ways, did the youth and boldness of Rangeela (in the same year), Amitabh Bachchan’s
angry young man films of the 1970s, Bobby in 1973 as a story of young love, countless other films. Yet they haven’t had the theater run that DDLJ has.
Some
have said to understand DDLJ’s power, one has to understand the India of 1995,
the power of globalization and the way that Raj’s international style and desi
heart spoke to a generation and a growing diaspora. The way that DDLJ became,
as Vijay Mishra says in his book Bollywood Cinema, the first film to directly
address the NRI population — the thousands who are far from India yet still
Indian at heart.
And
though those factors are certainly a part of understanding DDLJ, I think
looking at just that misses the fact that DDLJ is fundamentally appealing in
many ways. The first time I watched DDLJ, I had barely stepped into the Bollywood
world, and all of the globalization/diaspora mumbo jumbo wasn’t even on my
radar. But I loved DDLJ.
DDLJ,
I think, appeals to the romantic in all of us. It has the Swiss Alps backdrop,
an obstacle in the heroine’s disapproving family, boy-girl antagonism that
becomes love, dramatic train scenes — pretty classic characteristics of the
Bollywood romance. Add on top of that a bewitchingly wonderful soundtrack of
catchy and beautiful romantic tunes, some of 90s filmi music at its best. And
the checklist of Bollywood blockbuster must-haves is not only complete: It’s
filled out in style.
There
is something to be said, too, for the remarkable chemistry of SRK and Kajol
(not to mention the knockout supporting cast). Perhaps I’m slightly biased on
this point because SRK and Kajol are two of my favorite actors, but there’s a
certain sizzle there that you really can’t deny. DDLJ launched the lover boy
persona that SRK has mastered and been unable to fully escape for nearly two
decades. I’m always talking about how SRK has a charm that’s undefinable and
powerful, but I think the particular appeal of Raj as a character has to do
with more than SRK.
Most
centrally, DDLJ features a young man who is a troublemaker — he fails his
exams, parties constantly, is never serious, puts the moves on any girl in his
path and steals beer from gas stations. But once he falls in love with a girl,
we discover that he is, beneath the whole bad boy act, honor-bound and
big-hearted — dilwale. He wants to marry Simran — though he's never loved a girl before — and not just that, but win her the right way because he is so upstanding. Isn’t that most women’s romantic fantasy about bad boys?
That beneath it all, they’re good at heart?
And
Simran may cower in fear of her father, but that doesn’t mean she’s weak. She’s
stubborn and forceful with Raj from the moment they meet. A firecracker hidden
in a somewhat demure package. A woman who respects her family and tradition but
also has a spark and a temper — isn’t that what many men wish for?
Let’s
not forget the way that the love unfolds: unexpectedly, right in the face of
Simran’s impending marriage. Simran had, as she tells her mother, resolved to
be happy for one month and consigned herself thereafter to an unhappy life in a
foreign country with a man she’d never met. And then Raj sweeps into her life.
And Raj is a freewheeling lover who treats Simran like he would any other girl
— i.e. flirting incessantly but never seriously — before Simran’s nature and
good heart unexpectedly draw him in deeper. (“I’ve had many affairs,” he tells
her, “but I’ve never been in love.”)
And
then the lovers embark on a quest to win over Simran’s family — effectively
winning over an audience in the process — while also meeting behind closed
doors as, well, two people in love. (And while wooing Simran’s family, Raj — in
true SRK fashion — is particularly adept at wooing the women, of course.) It’s
both a public and private love affair, with all of the thrill of a clandestine
love affair and all of the jokes and smiles involved in gaining acceptance and
approval from a family. A love so honorable it refuses to elope but not so honorable that it won't lie to win approval.
Long
story short, DDLJ is probably the perfect film love story.
And
let it never be said that the Chopras don’t have a mastery of the small
romantic gestures as well as the large that will make your heart melt. From Raj
convincing Simran they’ve slept together only to tell her he’s certainly joking
because he respects her honor to trying to sneak a kiss behind a pillar — only
to have Babuji interrupt — to confessing love in a field of yellow flowers
after Raj has flown halfway around the world for Simran. Whole lists are
dedicated to the top romantic moments in DDLJ.
DDLJ
is fundamentally a story of loving, desi hearts found in unlikely places. A
big, honest heart with desi values is found in freewheeling, partying spoiled
London boy Raj. Simran finds the balance in her heart to love Raj and still
respect and honor her family. Simran’s Babuji leaves London and seeks comfort
in Punjab because he believes Londoners are all heartless and unfamiliar and
that many second-generation desis like Raj “dishonor the name of Hindustan.”
When he meets Raj’s Pops in Punjab, he says his London clothes belie his desi
persona, to which Pops responds, “Clothes? I keep Hindustan in my heart.”
That’s the sentiment that speaks to the diaspora, what I was talking about
before.
But
more, I think, than finding desi values, DDLJ is about finding good people and
goodness in the hearts of everyone. Because there’s Raj and Simran’s initial
antagonism that turns to love (well, maybe the antagonism is only Simran’s)
because both unexpectedly find good hearts in the other. And then despite the
antagonism between Simran’s father and Raj, Raj is able to ask for forgiveness
and ultimately (in the last, y’know, minute of the film) Simran’s father is
able to forgive his grievances with Raj and let Simran go to him because he
recognizes that “no one can love you as he does.”
That
is why I say DDLJ appeals to the romantic, the optimist, in all of us and not
just the desi diaspora.
It’s
one of the several powerful factors that contributes to make DDLJ an enduring
masterpiece that other films will continue to chase.
“Bade bade deshon mein aisi chhoti chhoti baatein hote rehti hain, Señorita.”
I know some people who were over-influenced by such movies and did certain things that they ought not have done. Due to this, they regret the influence wielded on them by this movie (and HAHK) even today. These movies just take advantage of the ignorance of young minds.
ReplyDeleteI don't think the films can reasonably be blamed for people "did certain things that they ought not have done." A person's actions are their own responsibility.
DeleteThere were/are more down to earth love stores but the magic of this movie remain a mistry to me!
ReplyDeleteThere are dozens of more down to earth love stories, and yet DDLJ has that certain je ne sais quoi that makes it beloved and enduring!
Deletei just fell in love with movie when i saw.. i was just 10 yrs old.. call it imaturity, i waited for THAT RAJ for 10 more years in my life.. there is some magic, still love the movie for few scenes and acting of SRK and Kajol..
ReplyDeleteloved reading ur review.. it just brought in the memories back..
Who can help waiting for a Raj after watching DDLJ? I think we all wish we had a Raj! ;) I think you're right that there is just some magic about DDLJ that defies definition...
DeleteI'm a die-hard fan of DDLJ and lap up anything and everything I can find on it. A good read, well expressed! I have a blogpost on it, myself. Do read it if you get the time :)
ReplyDeletehttp://www.vini4u.blogspot.in/2011/05/ode-to-one-of-my-favourites.html